Pendant lamp L40
steelacrylic glassBauhaus design

Pendant lamp - L40 - Tecta - steel / acrylic glass / Bauhaus design
Pendant lamp - L40 - Tecta - steel / acrylic glass / Bauhaus design
Pendant lamp - L40 - Tecta - steel / acrylic glass / Bauhaus design - image - 2
Pendant lamp - L40 - Tecta - steel / acrylic glass / Bauhaus design - image - 3
Pendant lamp - L40 - Tecta - steel / acrylic glass / Bauhaus design - image - 4
Pendant lamp - L40 - Tecta - steel / acrylic glass / Bauhaus design - image - 5
Pendant lamp - L40 - Tecta - steel / acrylic glass / Bauhaus design - image - 6
Pendant lamp - L40 - Tecta - steel / acrylic glass / Bauhaus design - image - 7
Pendant lamp - L40 - Tecta - steel / acrylic glass / Bauhaus design - image - 8
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Characteristics

Type
pendant
Material
steel, acrylic glass
Style
Bauhaus design
Power source
corded
Base type
straight
Diffuser shape
tubular
Color
white
Light source
LED
Number of lights
triple
Designer
by Gerrit Thomas Rietveld

Description

“The maker of things – sometimes of magical things”. (Peter Smithson, 1965) Gerrit Rietveld was a pioneer of modernism and set the first lasting accents of the new age with his “Red-Blue Chair” and the L40 pendant lamp – even before the Bauhaus was founded. Marcel Breuer, for example, initially saw himself significantly influenced by Rietveld before emancipating himself from his role model with his epoch-making tubular steel furniture. L40 was used in 1922 for the consulting room furnishings of the progressive Dr. Hartog. Rietveld’s pioneering and, by the standards of the time, extremely audacious ceiling light consisted only of bare soffit tubes – suspended from their own mains cable. With 3 LED soffits, not dimmable
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